Key art and full campaign for a seventeenth-century witch-trial short.

Client

Dylan Miller

Year

2024 — 2025

Role

Key Art & Campaign

Pyre key art in 16:9 — the burning pyre and its silhouetted onlookers pushed right, the title and billing block set into the darkness on the left
Pyre key art in 16:9 — the burning pyre and its silhouetted onlookers pushed right, the title and billing block set into the darkness on the left

Project Description

Pyre is a short film written and directed by Dylan Miller, produced at the University of Georgia. A widowed mother in a seventeenth-century village is accused of witchcraft and interrogated by a charming, ruthless inquisitor — forced into an impossible choice to save her daughter.

We took the campaign the whole way: key art, an alternate route, the title lockup, thumbnail formats and out-of-home.

The first direction borrowed from the period itself. A flat red field, a black woodcut of figures dancing around a fire beneath a flaming skull, type cut ragged like a seventeenth-century pamphlet — the kind of print that got people burned.

The final key art went the other way. One silhouette bound at the top of a lit pyre, a ring of villagers watching from the dark, the title trailing down the frame like burnt paper. Less document, more witness.

Pyre has since been an official selection at Julien Dubuque International, Allentown, Atlanta Shorts Fest and Oxford Shorts.

Pyre official key art — a lone silhouette bound at the top of a burning pyre, a ring of villagers watching from the dark, the title dripping down the frame in torn red letterforms
Pyre alternate key art — a black woodcut of figures dancing around a fire beneath a flaming skull, printed on flat red in the manner of a seventeenth-century pamphlet